by Guido Dettoni della Grazia in the Church of Santa Maria delle Rose in Assisi
by Guido Dettoni della Grazia in the Church of Santa Maria delle Rose in Assisi
14 multiples, signed and numbered
14 cm | 5.5 in
21 multiples signed and numbered
14 cm | 5.5 in
Last copy
12 signed and numbered copies
14 cm | 5.5 in
5 multiples signed and numbered
14 cm | 5.5 in
Last copy
14 cm | 5.5 in
Sale!
14 cm | 5.5 in
Until April 30
14 cm | 5.5 in
MARIA Myrtle-Wood
4 unique signed copies
8 cm | 3 in
8 cm | 3 in.
with Marble Powder
8 cm | 3 in
with Marble Powder
8 cm | 3 in
Alabaster
40 cm | 16 in
Carrara marble or any other of your choice.
Size from 30 cm | 12 in. Up to 7 ft. Marble | 213 cm
Size and price on request
Skyblack Resin with marble powder
45 cm | 18 in
Carrara marble
120 cm | 4 ft sculpture height
Marble, size and price upon request
White resin with marble powder.
45 cm | 18 in
22 cm | 8,66 in
White Resin with Marble Powder
13 cm | 5 in
Ash-wood
13 cm | 5 in
Olive-wood
13 cm | 5 in
Mahogany-wood
13 cm | 5 in
Linden-Wood
33 cm | 13 in
TAU carved in mahogany-wood, Cane in chestnut-wood.
Height 137 cm | 54 in
The Cross is carved in Beech wood and the Cane is lathed in Galician Oak.
12 copies signed.
140 cm | 55 in.
Beech-wood
2 signed copies.
20 cm | 8 in.
White Resin with Marble Powder
7 cm | 3 in
White Resin with Marble Powder
7 cm | 3 in
White Resin with Marble Powder
15 cm | 6 in
Carrara Marble
30 cm | 12 in
Sterling Silver. Gold-Plated
45 mm | 1.8 i
Sterling Silver
25 mm | 1.0 in
Zinc and Copper Alloy. Rhodium Plated.
22 mm | 0.9 in
Zinc and Copper Alloy. Rhodium Plated.
Adjustable length, black string.
22 mm | 0.9 in
Zinc and copper alloy, ceramic plated and lacquered.
22 mm | 0.9 in
Bronze
22 mm | 0.9 in
Olive-Wood
40 mm | 1.6 in
Mahogany-Wood
40 mm | 1.6 in
Zinc and Copper Alloy Rhodium Plated
22 mm | 0.9 in
Bronze
22 mm | 0,9 in
From 2024, the annual net profit from the sales of this e-commerce and the permanent exhibition in Assisi
will be donated to social aid.
The multiples sold in this e-commerce are works by Guido Dettoni della Grazia.
His works are tactile and not conceived as unicum, but rather as multiples of the original,
produced in limited an unlimited number of different materials and sizes.
